Wheel-thrown red earthenware with hand-painted manganese brush decoration and green glaze splashes, clear glaze over. Each with geometric zig-zag and line motifs, unmarked.
The bowls speak in zigzags and waves
Like constellations traced in clay, these Danish studio pieces (1960s–80s) carry the mark of a hand that loved rhythm more than symmetry. Each stroke—black manganese lines, green splashes—feels like a heartbeat, a ripple, a pulse.
eccentric, playful, refusing to follow a single pattern. A dreamscape within the glaze pools, like water mapping itself. Use as little stages—platforms for fruit, for ritual, for beauty.
Unmarked, but hardly anonymous—because the energy is unmistakable: a workshop, a wheel, someone’s hands, Denmark mid-century. Clay as a diary, fired and kept.
Condition: Vintage wear consistent with age; minor glaze skips and firing irregularities typical of hand production.
Wheel-thrown red earthenware with hand-painted manganese brush decoration and green glaze splashes, clear glaze over. Each with geometric zig-zag and line motifs, unmarked.
The bowls speak in zigzags and waves
Like constellations traced in clay, these Danish studio pieces (1960s–80s) carry the mark of a hand that loved rhythm more than symmetry. Each stroke—black manganese lines, green splashes—feels like a heartbeat, a ripple, a pulse.
eccentric, playful, refusing to follow a single pattern. A dreamscape within the glaze pools, like water mapping itself. Use as little stages—platforms for fruit, for ritual, for beauty.
Unmarked, but hardly anonymous—because the energy is unmistakable: a workshop, a wheel, someone’s hands, Denmark mid-century. Clay as a diary, fired and kept.
Condition: Vintage wear consistent with age; minor glaze skips and firing irregularities typical of hand production.
